Showing posts with label Film. Show all posts
Showing posts with label Film. Show all posts

Monday, 21 January 2019

4 gods-within us — continued

For the past 6 years, 3 friends and myself occasionally meet for coffee in downtown Ottawa . We first met at local peace events and discovered we shared a common humanity of ‘the god-within’. We enjoyed meeting for coffee, and soon called ourselves the ‘4 gods-within’.

This is my third report about our meetings which began in December 2013.


We are: Bill, a retired political scientist, author and Gandhian fellow; Mony, MBA, author and television producer and her artist husband Alberto; and me.

On January 16 we began our 2019 meeting with a flood of new ideas heralding a new era of nonkilling, love and joy.

Koozma presented two ethical stories from Jon-Lee.

Story One was about a group of alumni who got together for a visit with their wise professor. When the conversation soon turned to complaints about endless stress of work and life, the professor offered his guests coffee. He returned from the kitchen with a large pot of coffee and an eclectic assortment of cups: ‘porcelain, plastic, glass, crystal, some plain, some expensive, some quite exquisite.’ Quietly he invited them to help themselves to some fresh coffee.
As his former student had a cup of coffee in hand, the professor quietly cleared his throat and began to patiently address the small gathering. ‘You may have noticed that all of the nicer looking cups were taken up first, leaving behind the plainer and cheaper ones. While it is only natural for you to want only the best for yourself yet that is actually the source of much of your stress-related problems.’
He continued. ‘Be assured that the cup itself adds no quality to the coffee. In fact, the cup merely disguises or dresses up what we drink. What each of you really wanted was coffee, not a cup, but you instinctively went for the best cups. Then you began eyeing each other’s cups.
‘Now consider this: Life is coffee. Jobs, money and position in society are merely cups. They are just tools to shape and contain life, and the type of cup we have does not truly define nor change the quality of the life we live. Often, by concentrating only on the cup, we fail to enjoy the coffee….’
The happiest people don’t have the best of everything, they just make the best of everything. So please remember: Live Simply. Love Generously. Care Deeply .Speak Kindly.
And remember — the richest person is not the one who has the most, but the one who needs the least.
Story Two was about a 92-year-old wise man, whose wife just died. He was waiting patiently in the lobby of a nursing home, ready to move in himself. As he maneuvered his walker to the elevator, the nurse provided a visual description of his tiny room, including the eyelet sheets that had been hung on his window.
‘I love it,’ he stated with enthusiasm.
‘Mr. Jones, you haven’t seen the room; just wait.’
‘That doesn’t have anything to do with it,’ he replied.
‘Happiness is something you decide on ahead of time. Whether I like my room or not doesn’t depend on how the furniture is arranged....it’s how I arrange my mind. I already decided to love it. It’s a decision I make every morning when I wake up. I have a choice; I can spend the day in bed recounting the difficulty
'I have with parts of my body that no longer work, or get out of bed and be thankful for the ones that do.
‘Each day is a gift, and as long as my eyes open, I’ll focus on the new day and all the happy memories I’ve stored away. Just for this time in my life.
‘Wise age is like a bank account. You withdraw from what you’ve put in.
‘So, my advice to you would be to deposit a lot of happiness in the bank account of memories! Thank you for your part in filling my Memory bank. I am still depositing.’
Remember the simple rules to be happy:
    1. Free your heart from hatred.
    2. Free your mind from worries.
    3. Live simply.
    4. Give more.
    5. Expect less.
We discussed 5 films
  1. The Good Place ’ is a fantasy comedy series on Netflix on common grounds of morals and ethics. It reminded me of my University of Saskatchewan days where I took a fascinating philosophy course on Morals and Ethics from the memorable Dr. Robert Paton.
  2. The Reluctant Saint ’ is a 1962 film about Joseph of Cupertino, a 17th-century Italian Franciscan friar and mystic, who did not seem to fit in anywhere, but found a solid place in society with simple actions of love.
  3. Inner Worlds, Outer Worlds ’ is a 5-part series on YouTube, which explores the inner and outer worlds via different philosophies. It provides us with a wider perspective in seeing ourselves as part of nature.
  4. Brother, Son, Sister, Moon’ is another classic film, an examination of the life of Saint Francis of Assisi. This man spoke to the poor in France and other parts of Europe by denouncing the wealth of the Catholic Church, while rejecting many Catholic dogmas and doctrines, especially the need for ordained priesthood, and working towards a world without wars.
  5. Roma’ is a 2018 film about life of a housemaid in a Mexican neighbourhood Colonia Roma — highly recommended! It is said to be an antidote to our highly fast-paced Smartphone society. We need to stop, look and listen to life in our environment, and enjoy its existence.
We talked briefly about the Mondragon cooperatives in Spain, founded in 1956 by graduates of the local technical college. Its first product was paraffin heaters. By 2014, it employed 74,117 people in 257 companies and organizations in four business divisions: finance, industry, retail and knowledge. Today, they have over 100,000 members, all owners of their workplaces with votes in their businesses.

What is the essence of the god-within?

We ended with this question. Invoking ‘the higher God’ was creatively refrained towards the ‘inner god-within’ as a way to get to the core of humanity. Instead of invoking Jesus Christ, Buddha, Allah, etc., why don’t we simply invoke ourselves by our actions as showing the way of love, beauty, compassion, and nonkilling? Is that not the essence of truth into the mysterious realm of spirituality? After all, are we not real energy-driven instruments of these practical qualities that make us human?

The story of the Greek Gods and Godesses is history. Most people today would acknowledge that ancient story of divine and semi-divine figures as mythology and religion.

In the 21st century, can we now acknowledge that man is connected to divine energy? Can we now publicly proclaim ‘I am an instrument of love and compassion?’ Or ‘I am an instrument of peace?’ When congruent, our intent and our actions of the gods-within form the strategic map of reality as part of one common humanity of brothers and sisters in spirit. The old ethical maxim (‘Do unto others as you wish them to do onto you’) has been enriched. The traditional wisdom masters of the past (Jesus Christ, Buddha, Allah, Lev N. Tolstoy, Mahatma Gandhi, Martin Luther King Jr., etc.) would be pleased.

Sunday, 17 April 2016

Northwest Profiles: Spirit Wrestlers

1995 news video about the Doukhobor Village Museum, Castlegar B.C.
Northwest Profiles: Spirit Wrestlers (video, 9-min) by KSPS Public TV, Spokane Washington, USA, 1995.
The highlight of this documentary for me was to see Christine Faminoff and Peter T. Oglow, the first Museum guides, interviewed at the Doukhobor Village Museum (built in 1971, now the Doukhobor Discovery Centre) in Castlegar, British Columbia. I knew them well.


Christine Faminoff (1953-1999) described Doukhobor history in Russia and Canada, including the settlement period with ‘six saw mills, two brick factories, and their world famous jam factory in BC’. Historic pictures were shown as she spoke. Her comprehensive short narration reflects her years of practice working at the Centre, greeting and educating thousands of tourists.

Christine and her parents lived in a traditional community home, the former residence of the MIR Centre for Peace located near the museum on land owned by Selkirk College. The college allowed them to remain in their home until death. Never married, Christine died at age 56 of breast cancer. In October 2005 the Christine Faminoff Memorial Fund was launched to remember her service. See text in comments below. 

Peter T. Oglow (1921-2001), 83, reflected on his ‘very pleasurable experiences’ in living in the former community. He was among the last of the wooden spoon carvers, fortunately preserved in this video (min. 7:00). He reminded the public of the central Doukhobor legacy of ‘a peaceful life without fighting — something that is relevant to our present day society where everyone is fighting.’

Several factual errors were made:
  • Five images (min. 1:58 to 3.33) were shown as if they were Doukhobor-related. For visual drama, the news editor chose stock photographs of convicts (in shackles, hangings). The photos are not of Doukhobors.
  • A photo of women pulling a plow (min. 3:53) appears misplaced among photos and narration about new settlements in British Columbia. Men and women plowed only in Saskatchewan during the first years.
  • The myth that Queen Victoria (min. 2:27) gave written permission to Russian Doukhobors to come to Canada was created by P.V. Verigin to appease protesters. No document has been revealed that confirms this claim. See: Popular Myths or Fallacies about the Doukhobors #3, updated from 'Spirit Wrestlers: Doukhobor Pioneers' Strategies for Living', by Koozma J. Tarasoff, 2002: pages 379-384.
  • More than half of the expenses for moving 7,500 Doukhobors to Canada was funded by the Canadian government, the remainder funded by the Doukhobors, Society of Friends (UK, US, Canada) and Lev Tolstoy (min. 2:30). Tolstoy also played an important role in reporting their harsh treatment in Russia, and petitioning for peasant reform for all the oppressed.
  • Frank Oliver succeeded Clifford Sifton as Minister of the Interior in 1905, not 1906, and this began the destruction of a spirit of cooperation between Doukhobors and the federal government.
  • In what is Saskatchewan today, the Russian Doukhobors were given 312,990 hectares (733,400 acres) of land in 1899. However, in June 1, 1907, they lost 258,880 acres (35%) of their land, not 200,000 acres as erroneously stated in the film.
  • Rather than the phrase 'prayer halls' (min 5:37) and 'prayer room' (min. 6:30), it is historically more accurate to use the English terms community/ cultural/ meeting + centre/ hall/ home/ house/ assembly, whether indoors or outdoors. Doukhobors have no 'church' or sacred room or building. In this museum, formal indoor meetings (sobranie) were held in the largest room.

Monday, 9 March 2015

Film Review: American Sniper

51IiP7QgakL._SY344_BO1,204,203,200_.jpg I saw a dangerous pro-war movie, not the anti-war film described by the director and producers.

American Sniper’ is a popular war movie about an actual decorated US sniper, Kyle, who claimed 255 ‘kills’ in Iraq. Kyle is a ‘good guy’ from Texas who failed as a cowboy only to find his true calling as a sniper in the Navy Seals.

The sniper kills from his rooftop perch, including a woman and a young boy who attempt to throw a bomb at the American invaders. He is a cog in a war killing machine.

Killing at times appears to trouble his conscience, but as a macho Navy Seal he is taught to do his job as a loyal patriot of his country.

The real Kyle was killed in the US by a fellow veteran whom Kyle offered to help overcome his Post Traumatic Stress Disorder. Both were victims of PTSD.

The movie was adapted from the best selling and controversial 2012 book: American Sniper: The Autobiography of the Most Lethal Sniper in U.S. Military History (above), which netted Kyle's family $3 million.

The film is the highest-grossing war movie ever, netting $0.5 billion. The film won 9 of 30 film awards nominated.

Because American Sniper is beautifully-produced, it appears to me to be a dangerous pro-war propaganda film, supporting an old colonial strategy that might is right. It invites young people to join the military, learn a trade and make money from the killing machine — all in the name of protecting ‘our way of life.’ ‘We must kill’ them with new weapons of mass destruction, because ‘they’ threaten ‘us,’ goes the argument. This is a deadly knee-jerk reaction orchestrated by politicians, military generals, and those seeking opportunities to profit from killing.

In my opinion, director Clint Eastwood’s claim that American Sniper is an anti-war apolitical film lacks context. It depicts the Iraqi people as savages and terrorists who must be destroyed because they threaten the American way of life. Much is missing:
  • This and most military films don't mention the alternative paradigm of nonkilling peacemaking.
  • The repugnance of militarism and war as an institution with no viable future. As Mahatma Gandhi once said: ‘An eye for an eye makes everyone blind.’ The film continues the notion that war is the way of the future.
  • We are dealing with ‘blood oil,’ cheap oil for North America, taken by violent invasion if necessary, and the failure of the leadership to deal with climate change. The solution is to develop alternative sources of energy in ones own country.
  • We see the failure of the leadership to learn the basic lessons of physics: ‘For every action there is an equal and opposite reaction’. The remedy: Stop poking your nose into someone else’s business. Bring your troops home.
  • The film lacks humanizing the opponents in the battle. The military model is demonizing in that it pursues ‘us against them’ solution, without any attempt at discovering friends.
  • There is no mention of why the Americans invaded Iraq in the first place. No mention is made of money, oil, and a faulty foreign policy based on ‘exceptionalism.’
  • No mention is made of the money spent on war preparations, on spying, on secrecy and war itself. Just think of how trillions of dollars could be used to solve poverty, housing, healthcare, education, and cultural enrichment in our communities and the wider world?
  • We need to discover that real heroism and real patriotism is not based on killing but on getting rid of weapons. My ancestors, the Spirit Wrestlers / Doukhobors, influenced by world writer and philosopher Lev N. Tolstoy, did this in 1895 when 7,000 of them burnt their guns in three locations of Transcaucasia, Russia.
Once a broad disarmament program gets underway, preferably with support of the United Nations, we need to rapidly develop a design for a viable world order. Presently a nonkilling paradigm is available and efforts are being made to create Departments of Peace at the government’s cabinet level. Future filmmakers ought to take note and develop scenarios with exciting films featuring the role of cooperation, respect for humanity, compassion, and love in our emerging global society.

Other Reviews
  1. Vic Thiessen. ‘The winter’s most dangerous film’. Canadian Mennonite, March 2, 2015: 32.
  2. Richard Falk. ‘Viewing American Sniper’. Transcend Media Service, February 2, 2015.
  3. Cindy Sheehan. ‘Casey vs. Kyle: On Bloodlust, Loss, and Wars of Choice’. Common Dreams, January 21, 2015.
  4. Criticisms and Eastwood’s responses, Wikipedia.
  5. Timothy Kudo. 'How We Learned to Kill.' Sunday Review, New York Times, February 27, 2015.
  6. Chris Hodges. 'Killing Ragheads for Jesus.' Truthdig, January 25, 2015.
  7. Finian Cunningham. 'American Sniper and US Doom'. Information Clearing House, March 2015. 

Tuesday, 17 June 2014

Selling Freedomites as Doukhobors
     is False Advertising

Two events promoted in Nelson, British Columbia, have been fraudulently selling Freedomites (Svobodninki, Sons of Freedom) as Doukhobors — a movie and museum exhibit. Both events were promoted in the Nelson Star newspaper.

Canada has laws against consumer fraud, false advertising, counterfeit goods, bait-and-switch, identity theft, mislabeling, adulterated food, etc. Consumers want to be protected against deception, counterfeit products to be confiscated, defective products repaired or exchanged, businesses licensed and inspected, and perpetrators arrested.

If 'Doukhobor' was a trademarked commercial product, it would be a crime to promote the 'Doukhobor' label to the public, collect money but deliver something else. After more than half a century of public awareness education, this fraud is still happening in Canada because the word falsely lingers as a profitable commodity of sensationalized abuse, arson, bombings, nudity and terrorism.


Movie: The Change Agents (2012)

In mid-April 2014, Alex Atamanenko (Member of Parliament) gave Tarasoff a DVD copy of a movie to review which was produced by staff and students of L.V. Rogers Secondary School in Nelson, BC. Atamanenko saw it and wanted Tarasoff to comment. The movie shocked us. It’s been in the Kootenay news since October 2010. Why did no one tell us about it? Why was it not mentioned in the USCC Doukhobor monthly magazine Iskra? *

The opening minutes show 6 photos of Freedomites taken in the 1950s, 2 with nudity and fire, while the narration falsely states they are Doukhobors, pacifist spirit-wrestlers. Next, student actors joke about nude protests, arson and bombing; while their teacher discusses the Son of Freedom nude protests as examples of social activism.

While the movie promotes cleaning the environment, it pollutes the public perception of Doukhobors. The words ‘Doukhobor’ and ‘spirit-wrestler’ must be deleted from the movie and never be used to describe extremist actions of Freedomites (Russian: Svobodniki: also: Sons of Freedom).

Tarasoff complained to the movie owner/producers and writer about correcting this fraud. So far some have acknowledged the errors, but the current movie owner has not made the corrections. (See: Ottawa Screening of 'The Change Agents')

Photo Exhibit: Touchstones Nelson Museum of Art and History (2014)

On June 10, 2014, the Nelson Star website posted ‘Examining the Sons of Freedom’ about an exhibit of photos from the 1950s and 1960s at the Touchstones Nelson Museum of Art and History, promoted with a photo of the current Doukhobor choir “Friends.” Tarasoff responded with an open letter to the paper and museum to correct two errors.

Your story implies that “Sons of Freedom” are “Doukhobors”. They are not the same! The story stated that ‘the photographs in this exhibit document a compelling chapter in the history of the Sons of Freedom Doukhobors, as well as our community.’ To avoid stereotyping and discrimination, the word “Doukhobor” should not appear in this story, nor should it be used as a synonym.’ The exhibit title should be: ‘Sons of Freedom: Photographs from the Stevens Studio,

The original Russian term used by these separatists was Svobodniki (sovereign people), later called Freedomites, and by the 1920s journalists called them "Sons of Freedom" (Russian: Syny svobody).

Photos of Freedomites in the movie were obtained from the museum collection, online at Touchstones Nelson, flickr. Neither the newspaper nor the museum have responded.

Go to Court

Though the movie and photos don't directly refer to the USCC Doukhobors, the Council of Doukhobors in Canada (CDC), the Canadian Doukhobors Society (CDS), or the Doukhobor Society of Saskatoon (DSS); the intention to deceive the public about Doukhobors for profit and gain is obvious.

With no remorse, the paper promotes organizations which stigmatize Doukhobors with a powerfully negative label that changes their self-concept and social identity.

The only possible legal defense for such fraud is claiming that no entity owns the generic 'Doukhobor' label, therefore anyone is free to use it, abuse it, and misuse it as they wish, to fool the public for profit and personal gain. Though this is unethical, wrong, and dishonest; it's probably not illegal until someone takes the issue to court, or public protests bring shame to the perpetrators.

"[U.S.A.] trademark law does not permit registration of trademarks that 'may disparage' individuals or groups or 'bring them into contempt or disrepute.'..." (Washington Redskins' Federal Trademarks Cancelled, the two-way, National Public Radio, June 18, 2014.)

For now, buyer and reader beware — caveat emptor.

Short link to this page: goo.gl/7xdrmi
—————————————
* A search of the USCC Doukhobor web site found the movie was mentioned in USCC News twice with no comments or further information. A query to the Iskra editor revealed that the USCC board voted to be mute, a vow of silence, regarding Freedomites, a topic too sensitive for public discussion.
— By Koozma J. Tarasoff and Andrei Conovaloff.

Monday, 16 June 2014

Ottawa Screening of 'The Change Agents'

On June 3rd, 80 people attended a screening of the movie The Change Agents (2012) in Ottawa, Ontario.

This full length movie (~90 minutes) produced by the secondary school in Nelson, B.C., uses 6 archival news photos of Freedomites to introduce fictional characters who protest against environmental pollution. Nudity and burning is shown, and bombing is joked about.

L to R: Elizabeth May (MP leader of the Green Party), Robyn
Sheppard (Writer/Director), Cathy Orlando (National Manager,
Canada's Citizen Climate Lobby), Sarah Miller Hayward (Producer),
and Alex Atamanenko (MP for BC Southern Interior)

The event was supported by Canada's Citizen Climate Lobby (CCCL) and coordinated by MP Alex Atamanenko and his office, to lobby Parliament during Environment Week. Most of the audience, including myself, were climate activists from Ontario, 8 were Parliamentarians (17 had RSVP'd), and 4 who made the movie (2 actors, a producer, and the writer/director) came from Nelson, B.C.

Atamanenko represents the riding (electoral district) were the movie was made. In October 2011, he visited the school during production and announced it to Parliament.

From about 70 volunteer amateur actors recruited from the Nelson area to make the movie, 2 attended.

English actors for Deda and Ruby.
Mike Coons (who played grandfather, deda) told me that he served briefly in the military before becoming a carpenter and plumber in Nelson; and he worked closely with local Doukhobor workers on the Kootenay River dam projects. Lucy Carver Brennan (Ruby) was in Grade 6 in Nelson when she auditioned.

Though the production notes showed 4 actors with Russian surnames, 3 appeared in the movie and only one had a speaking role. Ryan Hayward (played by Dylan Zaitsoff) is the main antagonist who verbally abuses and harasses the star character, Carly Dutoff, a fictional descendant of Freedomites (played by Susannah Rebar). The notes also show 4 characters with Russian surnames, all played by English actors.

The movie opened in Nelson on February 2nd, 2013, was shown at the USCC Doukhobor Brilliant Cultural Center (Feb 16th, 2013) and a few places in North America and Europe. The film has been translated into several languages and is online in Spanish.

A co-producer and now owner of the movie, Sarah Miller Hayward told me that she had film experience in Hollywood and Toronto before coming to Nelson, BC. Next, she and Jo Ann Lowell (Executive Producer) are going to Toronto to seek support to promote the film to a larger audience. Many participants hope the movie will boost their careers.

Prior to the screening, I presented my comments (excerpt):
BUT, as a Doukhobor historian, the movie immediately troubled and shocked me. The opening scene shows sensational archival news footage of nudity and burnings by a small group of Freedomites, which is a breakaway faction from the Doukhobors. Their actions are not the same as the Doukhobors, resulting in confusion and discrimination.
Freedomites terrorized Canadian society expressing their displeasure with government. Doukhobors have never supported their extremist actions, and have greatly suffered whenever they were and are falsely presented as Freedomites.
Robyn Sheppard, writer/director
I presented a copy of Spirit Wrestlers: Doukhobor Pioneers' Strategies for Living to Robyn Sheppard, writer/director, who did not know that the small number of sensationalized Freedomites were not Doukhobors. She apologized for any misconceptions due to her script. She said her main intent was to highlight the urgency and importance of the environmental issues to world health.

She grew up in the Toronto area, but 18 years ago moved to the West Kootenays where she taught drama at the Mount Sentinnel High School in the Slocan Valley near Nelson, British Columbia, and met many local Doukhobor students.

When asked if she will correct the mistakes, Producer Hayward said that she would 'have a look at it.'

More

Koozma J. Tarasoff. 'The Sons of Freedom — a Flashback to 1956: Origins, problems, misconceptions, and relationship to Doukhobors.' — Updated reprint of "The 'Sons of Freedom'," The Inquirer (Vol. 3, No. 5, June 1956: 9-13).

Canada's Citizens Climate Lobby. The Citizens’ Climate Lobby (CCL) is a non-profit, non-partisan, grassroots advocacy group that trains and supports volunteers to engage elected officials and the media for generating the political will to find solutions for climate change. There are 170 CCL chapters in North America covering over 40 ridings in Canada and more than half the congressional districts in the USA.

Spirit-Wrestlers Blog: Selling Freedomites as Doukhobors is False Advertising

Error in the 'Change Agents' movie end credits — "An Angel Flew at Midnight", United in Song (2009 album), Performed by: The Victoria Doukhobor Group, should say "Performed by: The Victoria Island Doukhobor Community Association (VIDCA), with the Vision of Peace Youth Choir, Castlegar, B.C."