Showing posts with label Theatre. Show all posts
Showing posts with label Theatre. Show all posts

Saturday, 17 March 2018

Peace Networking with Professor Beissel

How I happened to network with another amazing pacifist in Ottawa.

For years peace activists in Canada had planned a Vimy Ridge Anti-war Project, a simultaneous cross-Canada protest to educate the public that ‘the spectacle of war… where more than 10,000 were killed or wounded in 4 days’ in France in April 1919 is being glorified as the 'Birth of Our Nation'.

On November 11, 2016, I volunteered to assist an Anti-War Pop Up (#1) event about our national 100th Anniversary of the WWI Battle of Vimy Ridge, hosted by the War Resisters Support Campaign. This was an educational meeting at a bookstore to organize a larger event at the Ottawa Public Library on April 9, 2017: Anti-War Pop Up 2 : Public Readings of Plays by David Fennario.

Our library event strategically preceded the April 10, 2017, lecture in the same Auditorium about the Canadian National Vimy Memorial at the Vimy Visitor Education Centre 175 km north of Paris, France.
Henry Beissel

On April 9, I choose a good seat up front to take photos, and a late comer took an empty seat next to me. Four performers read from 2 recent plays by David Fennario: ‘Bolsheviki’ and ‘Motherhouse’. (See photo album.)

Afterward, during the question and answer session, the man next to me (photo right) stood up and made one of the most brilliant statements about pacifism I have ever heard. I really wanted to know who this man was, so before he departed I invited him for coffee. I immediately bonded with Henry Beissel as we shared our life stories, and exchanged emails.

Later by email I again thanked him, and he replied:
I don't wish to denigrate the presentation organized by the peace group, but I suspect what we heard was nothing new to any of us. The brutalities and idiocies of war have been written about, filmed and presented graphically time and time again, yet we're still carrying on with wars. What I want to know is what concretely can we do to end this vicious suicidal cycle.
That means trying to identify the root causes and proposing how to deal with them. I think I can make some contribution to research in this area, but I don't have the answers either. However, unless we zero in on an honest diagnosis we will never be able to find a cure. Of course, there may be no cure. In which case homo sapiens is doomed. I prefer to think that there is enough intelligence between the best humans to get us beyond aggression and violence.
In short, Beissel is disappointed that no solutions for world peace were discussed, nor were presented at later ‘peace’ events to which I invited him. See his comments on November 13, 2017 (Remembrance Day), and September 2, 2017 (film at Ottawa Peace Festival).

I agree that we are spending lots of time talking about promoting peace, but not actually doing it. How can it be done? Is peace possible to achieve?

I invited him to participate in our book project: 150 Canadian Stories of Peace. And he contributed 2 poems (below). I gave him a copy of the book, and asked him to send a comment in which he again raised the issue of human survival, analyzing arguments over emotion and instinct, cooperation vs. aggressiveness, concluding with the hope that the arts can save us from annihilation.

Henry Beissel is a retired professor of English literature, poet, playwright, essayist, translator and editor who lives in Ottawa. He was raised Catholic in Germany, and after WWII moved to Canada where he became a secular humanist. His wife Arlette Franciere is a translator of French and Russian and is an accomplished painter. We recently had dinner together so our wives could meet.

At one of our lunches together, Beissel told me about a book that inspired him and gave him the technology to recover from cancer some 20 years ago (Mike Samuels, M.D. and Nancy Samuels, Seeing with the Mind’s EyeRandom House, 1975). I got a copy and read it.

Beissel says that cancer is not a disease but a dysfunction of our immune system. He used visualization to shrink cancer to zero when he went through the treatment chamber and visualized the malignant cancer cells dying. He regularly uses visualization in his work.

We found that we share similar journeys:
  • In the 1950s I published The Inquirer in Saskatoon, Saskatchewan with ‘an inquiring approach to social problems’. Then in the 1960s, for two years, Henry was professor at the University of Alberta in Edmonton, where he published eight issues of Edge, an independent periodical that addressed controversial topics.
  • Henry moved to Trinidad and Tobago for two years as a Canadian Aid Professor and returned to Concordia University in Montreal as a Distinguished Emeritus Professor. He and his wife settled in Glengarry County (a rural area between Ottawa and Montreal near Maxville) on 100 acres of undeveloped bush where they built their own house with a study for Henry and a studio for Arlette. They lived there for 35 years while Henry commuted to Montreal (150 km to office each way). Their neighbour Gary Geddes was editor/ publisher of Cormorant Press whom I visited to publish my books about Doukhobors.
  • We both knew Canadian poet Al Purdy. I never met him personally, but corresponded with him in the 1950s and received his newsletter.
  • We are close in age. Henry is 88 (turning 89 on April 12, 2018), while I am 86. Both of us strive to maintain our good health and fitness. We both have set the bar high, striving to reach at least 110. ‘Who will be first?’

More
Added
Update: April 7, 2018
This article is republished in The Shift Catalyst, Issue 7: Peace, April 8, 2018, a bi-weekly e-zine with 420,000 subscribers.

Monday, 16 June 2014

Ottawa Screening of 'The Change Agents'

On June 3rd, 80 people attended a screening of the movie The Change Agents (2012) in Ottawa, Ontario.

This full length movie (~90 minutes) produced by the secondary school in Nelson, B.C., uses 6 archival news photos of Freedomites to introduce fictional characters who protest against environmental pollution. Nudity and burning is shown, and bombing is joked about.

L to R: Elizabeth May (MP leader of the Green Party), Robyn
Sheppard (Writer/Director), Cathy Orlando (National Manager,
Canada's Citizen Climate Lobby), Sarah Miller Hayward (Producer),
and Alex Atamanenko (MP for BC Southern Interior)

The event was supported by Canada's Citizen Climate Lobby (CCCL) and coordinated by MP Alex Atamanenko and his office, to lobby Parliament during Environment Week. Most of the audience, including myself, were climate activists from Ontario, 8 were Parliamentarians (17 had RSVP'd), and 4 who made the movie (2 actors, a producer, and the writer/director) came from Nelson, B.C.

Atamanenko represents the riding (electoral district) were the movie was made. In October 2011, he visited the school during production and announced it to Parliament.

From about 70 volunteer amateur actors recruited from the Nelson area to make the movie, 2 attended.

English actors for Deda and Ruby.
Mike Coons (who played grandfather, deda) told me that he served briefly in the military before becoming a carpenter and plumber in Nelson; and he worked closely with local Doukhobor workers on the Kootenay River dam projects. Lucy Carver Brennan (Ruby) was in Grade 6 in Nelson when she auditioned.

Though the production notes showed 4 actors with Russian surnames, 3 appeared in the movie and only one had a speaking role. Ryan Hayward (played by Dylan Zaitsoff) is the main antagonist who verbally abuses and harasses the star character, Carly Dutoff, a fictional descendant of Freedomites (played by Susannah Rebar). The notes also show 4 characters with Russian surnames, all played by English actors.

The movie opened in Nelson on February 2nd, 2013, was shown at the USCC Doukhobor Brilliant Cultural Center (Feb 16th, 2013) and a few places in North America and Europe. The film has been translated into several languages and is online in Spanish.

A co-producer and now owner of the movie, Sarah Miller Hayward told me that she had film experience in Hollywood and Toronto before coming to Nelson, BC. Next, she and Jo Ann Lowell (Executive Producer) are going to Toronto to seek support to promote the film to a larger audience. Many participants hope the movie will boost their careers.

Prior to the screening, I presented my comments (excerpt):
BUT, as a Doukhobor historian, the movie immediately troubled and shocked me. The opening scene shows sensational archival news footage of nudity and burnings by a small group of Freedomites, which is a breakaway faction from the Doukhobors. Their actions are not the same as the Doukhobors, resulting in confusion and discrimination.
Freedomites terrorized Canadian society expressing their displeasure with government. Doukhobors have never supported their extremist actions, and have greatly suffered whenever they were and are falsely presented as Freedomites.
Robyn Sheppard, writer/director
I presented a copy of Spirit Wrestlers: Doukhobor Pioneers' Strategies for Living to Robyn Sheppard, writer/director, who did not know that the small number of sensationalized Freedomites were not Doukhobors. She apologized for any misconceptions due to her script. She said her main intent was to highlight the urgency and importance of the environmental issues to world health.

She grew up in the Toronto area, but 18 years ago moved to the West Kootenays where she taught drama at the Mount Sentinnel High School in the Slocan Valley near Nelson, British Columbia, and met many local Doukhobor students.

When asked if she will correct the mistakes, Producer Hayward said that she would 'have a look at it.'

More

Koozma J. Tarasoff. 'The Sons of Freedom — a Flashback to 1956: Origins, problems, misconceptions, and relationship to Doukhobors.' — Updated reprint of "The 'Sons of Freedom'," The Inquirer (Vol. 3, No. 5, June 1956: 9-13).

Canada's Citizens Climate Lobby. The Citizens’ Climate Lobby (CCL) is a non-profit, non-partisan, grassroots advocacy group that trains and supports volunteers to engage elected officials and the media for generating the political will to find solutions for climate change. There are 170 CCL chapters in North America covering over 40 ridings in Canada and more than half the congressional districts in the USA.

Spirit-Wrestlers Blog: Selling Freedomites as Doukhobors is False Advertising

Error in the 'Change Agents' movie end credits — "An Angel Flew at Midnight", United in Song (2009 album), Performed by: The Victoria Doukhobor Group, should say "Performed by: The Victoria Island Doukhobor Community Association (VIDCA), with the Vision of Peace Youth Choir, Castlegar, B.C."

Tuesday, 25 February 2014

Play Review: This is War

This is War is a 90-minute play about the traumatic psychological experiences of 4 Canadian soldiers in 2008 in a volatile region of Afghanistan with little backup support. The play is a case study of Post Traumatic Stress Disorder (PTSD), showing how war harms society.

Warning:  This play contains mature content and strong language.


I was invited by members of PeaceQuest to join them and met about 16 fellow pacifists. After the play we met for dinner to get to know each other, but the restaurant was too noisy to talk. I did meet their funder, Sister Pauline, a nun who heads a religious order that donated $25,000 in seed money.

The play had toured in the USA, and is now in Canada. I was impressed with This is War performed at the Great Canadian Theatre Company in Ottawa, Ontario, on February 22nd. The main message of the play was the negative effect of PTSD on the soldiers as a result of their horrible war experiences which the actors describe. Long-term symptoms can include spousal abuse, divorce, suicide, drinking, and drug addiction. War damage is extensive, costly and chronic.

The topic of PTSD has been frequently reported in the newspapers and I have met a doctor who is in our peace group who has PTSD as a result of his service in Afghanistan.

Playwright Hannah Moscovitch peers inside the stories of 4 soldiers (3 men, 1 woman) on the ground. A 5th character is an imaginary journalist (the audience), which each soldier often addressed by facing the audience, often saying “F--k” while reporting what happened to them.

The setting is the Taliban resurgence in the Battle of Panjwayi, 2006-2009. The actors describe horrible actions, such as killing a 5-year-old Afghan child by mistake. “You were told that if you feel harmed or threatened, you shoot first and ask questions later.” Sometimes events are rerun two or three times with small changes in costumes. Often the same event is reported differently by each actor.

The woman, Corporal Tanya Young (played by Sarah Finn), easily but troublesomely succumbs to sexual relations with Sergeant Stephan Hughes (played by John Ng) and with Private Jonny Henderson (played by Drew Moore).The fourth member, Sergeant Chris Anders (played by Brad Long), is a gay medic who strives as best he can to be a healer.

The play does not preach, but simply shows the ugly facts and invites the viewer to be the judge. I say all who fought in wars are innocent pawns of government, and the personal and social costs of war are real.

For me it is obvious that the wider public has not heard the wisdom of moral leaders such as Lev Tolstoy, Mahatma Gandhi and Martin Luther King Jr., who in their times have stated that the price of war is horrendous, it is a crime and it is a slavery of our times. In 1961, the former US President Dwight D. Eisenhower on the last days of his Presidency warned the nation that the military industrial complex is the greatest threat to society.

War teaches us to kill another member of the human family. That disconnect goes against the whole grain of everything that we have been taught in school and in church of being kind to others. Morality goes out the door as soldiers are trained to kill automatically. There is no brotherly or sisterly love to our neighbours. War is we (the ‘good’ people) against them (the ‘inhuman enemy’). Liquor and drugs are often given out to soldiers just before going into battle so as to ensure that 'they will kill’.

In Canada, in 2009, a physician from Saskatchewan, Dr. Dale Dewar, wrote me:
I regard war as an archaic form of interpersonal relationship on a grand scale but much like bullying on the playground or spousal abuse. Just as these activities were once widespread and ignored, so utterly, do I believe that war will be one day regarded as obscene. Its utter waste of human resources — lives, intelligence, time and money — devoted to childish ‘games’ will eventually end — or the human race will end.

If ‘this is war’, then it is long overdue that we as conscientious citizens of this or that country need to work actively together to get rid of war as we have done with human slavery years ago. This means no more glorifying war. It means working for peace….Remember that wars will cease when men and women refuse to fight.

Research

1. John Scales Avery, Transcend Media Service. ‘Against the Institution of War.’ Feb. 2014.

2. Joam Evans Pim (ed). Nonkilling Security and the State. 2013.

3. On the Spirit Wrestlers website: